Ignorance is NOT Bliss...

(This article appears on the working writers' website 'Writing Mafia', http://www.writingmafia.com/ignorance-is-not-bliss/)

When you join the ranks of employed wordsmiths across the globe, it goes without saying that your expertise regarding language and writing is unquestioned by those paying your (albeit paltry) salary. My inbox is regularly frequented by queries concerning apostrophe usage, pleas for proof-reading and Shakespearian dilemmas – ‘to hyphenate or not to hyphenate’ is a question that is very much in vogue at the present time.

I shall make no attempt to hide the fact that being consulted as the ‘expert’ when it comes to writing, language and grammar serves to massage my ego; a welcome by-product that any writer relishes. However, even the most ‘authoritative’ of sources can be found to fall short when scrutinised more closely. Any craftsman (or crafts ‘person’ if we’re being politically correct), will admit that they’re always learning their trade and writers should be no different.

In the early days of my writing career, I feigned ignorance on more than one occasion, happily glazing over a particular turn of phrase or unknown word in order to save face and remain the ‘expert’ that I hoped my employers were taking me for. But in reality, whilst saving career face, what was I actually gaining in the long run? Answer? Not a lot.

A particular instance this week pointed out just how far I’ve changed my thinking in terms of accepting the limitations of my so-called ‘expertise’. A manager used the phrase ‘luddites’ to refer to some colleagues he was exasperated with when trying to push through a new agenda at work. Now, whereas the copywriter of old would have glazed over this and happily got the gist of the overall message, the first thing I did in this instance was to check my dictionary.

For those of you not au fait with emails concerning petty office politics (you lucky things), ‘luddite’ refers to:

“A group of British workers who between 1811 and 1816 rioted and destroyed labour-saving textile machinery in the belief that such machinery would diminish employment.”

This unfamiliar word now clarified, I immediately understood my manager’s difficulty in passing a digital marketing proposal, adding a new word to my vocabulary in the process.

So you see, whilst we may enjoy playing on our ‘literary expert’ status amongst peers, ignorance isn’t always bliss. The English language is growing daily, and as writers, we need to ensure that our vocabularies are added to just as quickly. Pretending that we know a word may save face in the short-term, but when the alternative is learning and actually expanding the very expertise we’re trying to portray, the option is simple – ignorance is for the ignorant.

Book Review - 'Night Has 1000 Eyes' by Cornell Woolrich

Cornell Woolrich (here writing under his oft-used ‘George Hopley’ pseudonym) has often been described as the ‘master of suspense’ and on this showing, the moniker is justly attributed.

Detective Tom Shawn is making his way home one night along the riverside and saves Jean Reid from a suicide attempt. As they start talking, Jean relays her fears concerning the sanity and life of her father. It transpires that a local clairvoyant has foretold Mr Reid’s death at the jaws of a lion, an alarming statement considering all of this strange man’s predictions have thus been proved true. A suspenseful story ensues as Shawn and Reid battle to save her father as the date of destiny fast approaches.

Despite being a gripping story in itself, this novel is a wonderful example of Woolrich’s artistic language and beautiful mastery of the noir genre. From the very first page we are plunged into an intense pulp fiction world, with Shawn’s innermost thoughts and feelings laid bare against a sensually descriptive noir landscape.

As one enjoys the delicate prose and evocative language, the reader is soon swept up in the story, masterfully spun, and set on a rollercoaster ride of suspense as the story reaches its climactic finale.

Cornell Woolrich is a wonderful author just waiting to be discovered and there’s no better book to discover him with than this one. ‘Night has a Thousand Eyes’ is a vital addition to any collector of quality noir fiction.

Book Review - 'The Beetle', by Richard Marsh

Published in the same year as Stoker’s ‘Dracula’, and incidentally, more popular at the time, ‘The Beetle’ is an atmospheric and chilling piece of gothic Victorian Literature that is often (and unjustifiably) usurped by its literary cousin.

In writing ‘The Beetle’ and giving life to an evil protagonist, eminent Victorian novelist Richard Marsh created a despicable embodiment of horror quite equal to Stoker’s blood-sucking vampire. Plunged straight into a world of gloomy horror from off, the initial pages reveal a vivid and genuinely disturbing account of terror that remains as fresh and effective as it did 112 years ago.

Taking up the multi-narrative format indicative of the period, the novel proceeds to build nicely, weaving a complex yet easy-to-follow plotline that points towards the mysterious past of an eminent politician – a shady past that is evidently to account for the current morbid occurrences that plague our cast of likeable characters.

Unravelling mystery after mystery, the book reads extremely well and Marsh has to be credited with building an exceptional state of tension and anticipation. The finale is nothing short of epic, clawing at and subsequently shredding the reader’s senses and nerves as it reaches its dramatic, evocative and rewarding ending.

Having consumed this book avidly over a week, I have to say that ‘The Beetle’ is an excellent piece of literature that remains able to cause chills despite the desensitised nature of modern readers. Another example of late Victorian / early Edwardian fascination with all things Eastern and oriental (see Stoker’s ‘The Jewel of Seven Stars), this is a thoroughly readable member of the gothic school, and fully deserves a reputation equal to ‘Dracula’. Highly, highly recommended.